The power of the inner feminine: Click your heals three times and you’re on your way

 

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There are things going on inside of us to be felt or grieved or communicated, things that affect all that we do or think and all that we see or hear. Within us are the nutrients for psycho-spiritual growth and also the poisons for its death.

But the vast majority of people are imprisoned by the rational, concrete patriarchal world and unreceptive to guidance of the inner world. The world that most people live in is a severely contracted, emotionally, and spiritually stunted reality that leaves them unfulfilled and pining away from the promises of their childhood where everything was possible and potential could be experienced as real.

The world of the symbolic, the worlds of myth, fables and dreams can provide doors to what is missing in our lives but the patriarchal system that we have given our practical allegiance to has severed our connection with the imagination, the nurturing, caring, loving and compassionate aspect of the feminine.

 

“Only the symbolic life can express the needs of the soul” 

–CG Jung

 

The dominant masculine thinks concretely and demeans the symbolic world as being silly, touchy-feely, soft-headed, and impractical. Just do as your told, work hard, be practical and it will all work out, only all too often it doesn’t. Oh, we may make a lot of money, drive nice cars, have nice houses, a TV in every bedroom, good schools and summers in the Hamptons and it all looks good and very successful, but inside we’re not happy– it’s one big so-what, one big lie, because now we know this ain’t it. Of course we could reject all that “goodness” as being superficial and posh and live the middle class life of proud struggle, or better yet forsake most everything and live with barely nothing, but that ain’t it either. We don’t feel any more fulfilled with everything or with nothing. Why? Because that’s not where fulfillment lies!

In most of our societies we try to nurture only the material i.e. the ego world. We forget about our core being, our soul. So we try to fill this void with more materiality by reading and memorizing and practicing the aphorisms of our holy books usually without the understanding that their messages are symbolic in nature because it is that that feeds the soul not the literal meaning of words.

Or we turn on the radio or TV and listen to so-called talk shows as though the talking heads of these shows know something we don’t. But they only bring sensations to our banal lives and provide nothing of any meaning to the soul. Other shows provide us with even more sensationalism through murder and violence, promiscuity, and empty, meaningless competitions. They are ego generated and ego directed, bound to the superficial and as Shakespeare would have said, “Full of sound and fury signifying nothing.”

But a few people, alas very few, leave the physical safety of the material patriarchy to search for something deeper, not something different, for that’s only more ego, but something beyond the outer experience of reality, something found only inside ones self.

This is a hard journey fraught with fearsome and difficult trial because in the inner world the concrete language of the outer world is of little to no use. This is because the inner world, the world of the soul, is a symbolic world and speaks in the tongue of the myth, the fairy tale and the dream. It is a world where the feminine rules and can guide one to their real potential. The masculine can only enter if it is willing to share its power with the feminine.

I remember that in graduate school we used to dissect fairy tales as a way of understanding the inner psyche the inner psychology of the mind. I always chose the story of the Wizard of Oz because I felt that its symbolism best reflected my outer journey and the effects that that had on my inner life. You see the four characters, the tin woodsman with no heart (self-compassion), the scarecrow without a brain (doubtful intellectual prowess), the cowardly lion (who could not stand up for himself) and Dorothy Gale who was lost and just wanted to go back home (to the nurturing safety of the inner feminine) were all facets of myself and my own journey through life.

The Great and Wonderful OZ was the hollow promise of the patriarchal society I grew up in that turned out to be a fraud who could give nothing but what you already had had you just looked within. Each of these characters were played by my parents and modeled the way in which I viewed myself. It wasn’t until I told the story as my own that I was able to confront the story and begin to deal with its results.

The Great Oz is the society within which we all live but when we deliberately or accidentally look behind the curtain and discover that it’s all a fraud, it’s all made up, we lose trust in the wisdom we were told was inviolable. I lost trust in my inner OZ for a number of reasons 1) because the father image was weak and 2) the patriarchy of the society never really delivered and still isn’t.

Emotionally abandoned it lead to my trying to find my way home by looking outside myself for something that looked like home. But like Dorothy I couldn’t find my way because I was looking in the wrong place. It was the inner feminine i.e. the Good Mother archetype in the symbolic form of Glinda the Good Witch who was able to guide Dorothy to where she had been all along had she known that she had the power.

Want to go home? What’s your inner fairy tale, the myth that tells your story? What are the symbols of your dreams trying to tell you? You may have been let down by the outer feminine, but she of the inner world can guide you to what you’re missing out here but only if you’ll listen to her and learn to read her message.

A cultural myth of redemption found in a popular fantasy story

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From the 100th anniversary edition

Realized or not or intentional or not authors project themselves into their stories. Successful stories depend on good writing but they also draw on archetypal aspects that at an unconscious level resonate with most human beings.

Earlier someone shared part of a dream that included the image of the Tin Man from the Wonderful Wizard of OZ (1900). This got me to thinking about the other characters and aspects of L.Frank Baum’s story and who or what they might represent symbolically. However, my projected meanings are in no way intended to convey the meanings that Baum had for them these are just possible meanings that one might entertain should they show up in their dreams.

 Tinman: a Tin Man may be someone with no heart but deep down a heart as big as it gets. It can represent someone acting without compassion or being unsympathetic, or be someone unforgiving or unkind. When oiled e.g. given some kind, caring attention he/she becomes less rigid and stuck in their position. Do you know someone like this?

Cowardly lion: a person who acts tough but misses a golden opportunity out of fear. Are you feeling inadequate? Do you need to face your fears? Are you or someone you know wearing the mask of the tough guy thus keeping people at bay? Often this is the definition for someone who bullies. Are you limiting yourself by adhering to an inner dialog that has you feeling less-than?

Scarecrow: someone who looks scary but is using it as a cover-up so as to protect a vulnerable interior. Do you think of your self as being inferior? Is your exterior not matching your interior? Has your self-presentation been tattered?

Wicked witch: the negative feminine, in this case her insensitivity, and lack of focus except inwardly thus creating self-involvement, and being socially rejecting thus separating herself from others. She is the witch of the west and symbolic of darkness and endings that which needed to be faced in order to bring back the light and a new beginning.

Consider also that a witch can represent ones mother and the magical effect she has on you i.e. she is both nurturer and punisher.

Wizard: your inner wisdom and hidden power. This wizard also played the role of the trickster and was symbolically he who helps us to transcend our conditioning e.g. our learned behaviors, the behaviors and attitudes that limit us in life.

Glinda the good witch: she is the antithesis of the wicked witch, a goddess figure and the divine mother symbolizing feminine power, nurturing, and the coming of age for a young girl on the cusp of becoming a woman. She is the witch of the south that is symbolic of new beginnings, vulnerability and emotions.

Note that each of these characters is representative of Dorothy herself. Feeling unloved, unimportant, disconnected from her real power, with low self-esteem, lost and feeling as though she doesn’t belong, she dreams of a place where she can regain her self by returning home to herself. All aspects of her show up in the dream so as to help her heal and come back to her core being.

The psycho-emotional healing in most stories seems to center around the need to bring resolution to separateness and to unify the disparate aspects of the story i.e. to bring things back into balance. When we get out of balance catastrophic things can happen to help us find our way back home. This goes for societies and countries as well.

This I think is the function of our nightmares (individual or collective), which surly were depicted in Dorothy’s feverish dream i.e. to shake us up a little so as to point out the wrong road we’re on and head us toward the better road, the yellow brick road of hopefulness that leads to a place of healing and personal growth i.e. the green city of OZ while along the way we reconnect and make friends with the rejected parts of ourselves. The monster in the nightmare is not the hero save that they point to the fact that something isn’t working in the individual or societal psyche. As with Dorothy it’s only when we face our nightmarish bully that we can find our way home.