A little night music

 

Nighttime at a roadside inn somewhere near Mt. Shasta.

 

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Found on Myazdatabase images

Banners of blood red and yellow clouds shining brightly in the distance turn grey silhouette upon a mountain’s edge at days end.

There’s a holy feeling as quiet descends across the valley. In communion I stand in an empty field singing to the night.

A bright flash lights the distant mountain kingdom where war sabers of cold and warm meet. The gods of day and night having one last joust.

A knight of the road dismounts his chuffing beast, fills its hungry belly with a sulfurous black fluid, and again flies into the now inky sky.

 

 

How is a dream like a parable?

 

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Both are allegorical in that they both point to something and teach a lesson. “That’s like a fable! You might say.” Though both parables and fables teach lessons, the former uses people, whereas the latter uses animals. Both teach morals, both are a form of guidance.

However, a parable generally refers to spiritual lessons and in this way is not unlike many dreams that help one to develop a connection with their spirit. Over the centuries many people have claimed to have received messages from God through the medium of the dream. Throughout the history of the Abrahamic religions (Judaism, Christianity and Islam) dreams were said to have been sent from God to certain individuals that were supposed to be used for the good of all people, or to advance the understanding of one so that they may do more good for others. Parables were for all of these religions a means for communicating religious and spiritual concepts.

Why do parables, fables and dreams exist? The answer may be because that they are easier to remember than a direct example. “Dreams, easier to remember?” You say incredulously.

We don’t remember many dreams these days because it is not encouraged by the culture, but once a dream comes through, it’s hard to forget, especially if you’ve figured out what it means. But just because we don’t use them much, dreams haven’t gone the way of the appendix. Ever notice how much you dream after you start reading about dreams?

Mysteries bewilder us and tend to make us pay attention and to focus. Few of us would want to leave a mystery unsolved. Bewilderment makes us strive to know why, or what, or how–it is the carrot at the end of the stick. Dream symbols also beg that we interpret them just as we tend to add meaning to every event and person in our waking life (though this is most often an unexamined ego-supporting process where we project ourselves onto everything and then label it as reality).

Unlocking the meaning of a dream is not unlike discovering the meaning of a parable in that the process starts with asking the right questions and noting that these questions are affected by our beliefs regarding the symbols. Certain questions will often determine the answers, or at least bias them. So before you ask the questions, take a look at the foundation that they sit on. If you already have an answer, that will drive the question and bend it toward your answer. You see this phenomenon frequently with regard to news articles. This is just another form of, “We see what we want to see.”

 

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The Good Shepherd*, mosaic in 
Mausoleum of Galla Placidia, Ravenna
1st half of 5th century

 

What did this parable really mean? If the word “shepherd” were a metaphor for soul, your soul (your guide), what would the parable mean?

Is it possible to read this parable in yet another way, other than the traditional shepherd/flock metaphor? Might Jesus be telling us of our own divinity, our own spiritual nature and its connection with God? Might he be showing us how we can be following the wrong shepherd (the ego-self)? Might the guide that is within us all and that can come to us through a dream be the unconscious self?

Parables and dreams encourage us to dig deeper into their meaning and then apply the lessons to our everyday lives. Neither have to be an accurate depiction of actual events– they only need to point to the idea being conveyed in order to be instructive.

 

 

*Photo by-The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.

 

Archetypal memes in our stories and our dreams

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For several years now I’ve been slowly adding to my personal encyclopedia of dream images. After a particularly numinous dream the other day I thumbed through my collection to the archetype section and found what I was looking for. It was a comment on the archetypal images that often show up in fictional and fantasy stories.

Stories thrive on archetypal characters. There are the heroes such as Odysseus of Homer’s work, or Hercules in Greek mythology. Characters like Puck and Lady Macbeth, Othello and King Lear along with a whole host of others in the works of Shakespeare are also archetypal memes.

The White Rabbit and the Cheshire cat lead us into our inner realm, as do all animals in our dreams and music such as Tchaikovsky’s Nutcracker shows evidence of characters like the trickster and shadow. The psychic archetypes portrayed within this work show up in the form of the Trickster-magician Drosselmeyer, the Shadow creature portrayed by the Mouse King and his minions and the various goddess images envisioned as the Sugar Plum and Snow fairies.

The Nutcracker itself transforms from one state of being to another, becoming human in the process, a nice metaphor for Carl Jung’s Individuation Process and not unlike the transformative performance experienced by Pinocchio who morphed from being a puppet to a real boy. Both represent the magic-like development of the human psyche as it transmutes toward wholeness and realness.

As with anything in the imaginal world of the psychic archetypes, they are more metaphor than actual. We can’t touch them, only point toward their attributes. They represent the patterns of the psychic function.

The Depth Psychologist James Hillman said that they were the root of the soul. He went on to say that because of this imaginal description of archetype we are lead “to envision the basic nature and structure of the soul in an imaginative way and to approach the basic questions of psychology first of all by means of the imagination.” (Hillman, J., A Blue Fire, Harper Perennial, 1989, pg.23)

Imagination is the faculty of imagining, or of forming mental images or concepts of what is not actually present to the senses. A Psychologist might say that it is the power of reproducing images stored in the memory under the suggestion of associated images or of recombining former experiences in the creation of new images that aid in the solution of problems or that are directed at a specific goal.

The archetypal imagination of our soul has the ability to create unreal or whimsical imagery and the decorative detail that we experience in our poetry, dramas, stories and art.

On occasion an archetypal image will visit a dream and deliver a luminous or what has been dubbed a numinous (i.e. holy or sacred) quality to the dream that can stimulate an emotional state that brings transformational meaning and purpose to ones life.

The emotion can be of deep sweetness, ecstasy or of terror and dread but definitely a wholly other experience of astonishment and wonder.

Whether the experience is “real” or not in terms of whether one has been visited by some spirit isn’t all that important because it’s the effect that it has on ones psyche and resulting behavior that is of consequence.